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Work type: Vocal

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ReadingLucie Jones with the Fulltone Orchestra

Kander, Mitchell, Lloyd Webber, Arlen, Schwartz, Schoenberg, Barry
Fulltone Orchestra; Lucie Jones

LondonBBC Radio 3 Lunchtime Concert: Mediterranean Baroque - Ruby Hughes & Sergio Bucheli

Villoldo, Corbetta, Le Blanc, Murcia, Purcell, Blow, Strozzi, Kapsberger, Traditional, Sanz, Mendez, Grever
Ruby Hughes; Sergio Bucheli

MadridRaíces

Strauss R., Prokofiev
Orquesta Sinfónica de RTVE; Pablo González; Jacquelyn Wagner; Anna Lapkovskaja; Coro de RTVE

LondonBenjamin Appl: Schubert’s Die schöne Mullerin

Lang, Schubert
Benjamin Appl; Simon Lepper

LondonMatilda Lloyd, Britten Sinfonia Soloists

Wigmore Hall
Donizetti, Viardot-García, Arban, Rossini, Bellini
Matilda Lloyd; Britten Sinfonia

StockholmVier letzte Lieder

Chin, Strauss R., Beethoven
Royal Stockholm Philharmonic Orchestra; Alan Gilbert; Christina Nilsson
Latest reviewsSee more...

On a different plane: Ensemble Explore at King's Place

Ensemble Explore and Lotte Betts-Dean delight London's Kings Place with captivating sensations of blissful repose.
****1
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Mehldau and Bostridge’s tone-deaf folly at the Konzerthaus

Brad Mehldau’s song cycle is a disappointment, the texts selected under the rubric of “desire” proving a major concern.
**111
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Passionate Pergolesi in Prague

A decidedly different Stabat Mater gets expert treatment from Collegium Marianum and two spirited soloists.
****1
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Astounding beauty in the BBC Philharmonic's Alpine Symphony

NIcholas Collon conducts the BBC Philharmonic in a superbly conceived programme that demonstrates “quality, agility and impact”.
****1
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Unfinished business: Berglund’s Schubert impresses with the Hallé

Schubert's Unfinished Symphony proves a memorable climax to the young Norwegian conductor's matinee at Bridgewater Hall, after a lacklustre Beethoven piano concerto. 
***11
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French rarities from Alain Altinoglu and the Frankfurt Radio Symphony

On paper this looked entrancing: a French conductor with Armenian roots assaying a score of oriental splendour. It was the first half, however, with Dutilleux and Debussy that satisfied more.
***11
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