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Performer: Vilde Frang

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BucharestBayerisches Staatsorchester / Vilde Frang

Artexim - George Enescu International Competition and Festival
Vieru, Berg, Strauss R.
Bayerisches Staatsorchester; Vladimir Jurowski; Vilde Frang

LondonBayerische Staatsorchester / Vladimir Jurowski: Alpine Symphony

Barbican
Poleva, Berg, Strauss R.
Bayerisches Staatsorchester; Vladimir Jurowski; Vilde Frang

ViennaWiener Symphoniker / Krzysztof Urbański

Penderecki, Bartók, Dvořák
Vienna Symphony Orchestra; Krzysztof Urbański; Vilde Frang

ParisElgar, Strauss

Elgar, Strauss R.
Orchestre Philharmonique de Radio France; Mikko Franck; Vilde Frang

ViennaWiener Symphoniker / Fabio Luisi

Elgar, Schmidt
Vienna Symphony Orchestra; Fabio Luisi; Vilde Frang

Berlin500 Years of the Bayerisches Staatsorchester

Poleva, Berg, Strauss R.
Bayerisches Staatsorchester; Vladimir Jurowski; Vilde Frang
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RørosSimon Rattle conducts the 2016 Europakonzert in Røros

Berliner Philharmoniker
Grieg, Mendelssohn, Beethoven
Berliner Philharmoniker; Sir Simon Rattle; Vilde Frang

BerlinIván Fischer and Vilde Frang present Bartók’s Violin Concerto no. 1

Berliner Philharmoniker
Bartók, Brustad, Mendelssohn
Berliner Philharmoniker; Iván Fischer; Mari Eriksmoen; Vilde Frang; Kitty Whately; Unknown

StockholmTo the Memory of an Angel

Berg, Tarkiainen, Schumann
Royal Stockholm Philharmonic Orchestra; David Afkham; Vilde Frang
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Meticulous Bartók from Vilde Frang and the Budapest Festival Orchestra

Iván Fischer mixes things up for Schubert's “Great C major” Symphony with an unusual seating arrangement. 
*****
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Frang and Bringuier rock the Tonhalle with Berg and Rachmaninov

Two markedly different sound worlds, both dating from 1935, recently made for a stunning concert at Zurich’s historic Tonhalle, where the juxtaposition was as curious as it was sonorous. 


****1
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Raising a glass to greatness: Gürzenich's splendid Stravinsky marathon

The players gathered at the bar for a Scotch as the credits rolled. After three hours and twenty minutes of note-taking, I decided to follow suit.
****1
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Musical contrasts from Fabien Gabel and the Gürzenich Orchester Köln

In Cologne, Stravinsky's neoclassicism comes up against the echt-romanticism of Schreker and Korngold, ending in a draw.
****1
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Loss and foreboding from Pappano and the LSO

In these difficult times a reduced audience witnessed a concert of music that didn’t exactly offer much solace, but which possessed a powerful sense of loss and foreboding that seemed entirely timely. 
*****
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A triple bill makes musical explosives in Zurich

From the podium, Venezuelan conductor Rafael Payare’s fine direction and unmitigated athleticism were part and parcel of the excitement.
*****
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