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BucharestBayerisches Staatsorchester / Vilde Frang
Vieru, Berg, Strauss R.
Bayerisches Staatsorchester; Vladimir Jurowski; Vilde Frang
LondonBayerische Staatsorchester / Vladimir Jurowski: Alpine Symphony
Poleva, Berg, Strauss R.
Bayerisches Staatsorchester; Vladimir Jurowski; Vilde Frang
ViennaWiener Symphoniker / Krzysztof Urbański
Penderecki, Bartók, Dvořák
Vienna Symphony Orchestra; Krzysztof Urbański; Vilde Frang
ParisElgar, Strauss
Elgar, Strauss R.
Orchestre Philharmonique de Radio France; Mikko Franck; Vilde Frang
ViennaWiener Symphoniker / Fabio Luisi
Elgar, Schmidt
Vienna Symphony Orchestra; Fabio Luisi; Vilde Frang
Berlin500 Years of the Bayerisches Staatsorchester
Poleva, Berg, Strauss R.
Bayerisches Staatsorchester; Vladimir Jurowski; Vilde Frang
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RørosSimon Rattle conducts the 2016 Europakonzert in Røros
Grieg, Mendelssohn, Beethoven
Berliner Philharmoniker; Sir Simon Rattle; Vilde Frang
BerlinIván Fischer and Vilde Frang present Bartók’s Violin Concerto no. 1
Bartók, Brustad, Mendelssohn
Berliner Philharmoniker; Iván Fischer; Mari Eriksmoen; Vilde Frang; Kitty Whately; Unknown
StockholmTo the Memory of an Angel
Berg, Tarkiainen, Schumann
Royal Stockholm Philharmonic Orchestra; David Afkham; Vilde Frang
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Meticulous Bartók from Vilde Frang and the Budapest Festival Orchestra
Iván Fischer mixes things up for Schubert's “Great C major” Symphony with an unusual seating arrangement.
Frang and Bringuier rock the Tonhalle with Berg and Rachmaninov
Two markedly different sound worlds, both dating from 1935, recently made for a stunning concert at Zurich’s historic Tonhalle, where the juxtaposition was as curious as it was sonorous.
Raising a glass to greatness: Gürzenich's splendid Stravinsky marathon
The players gathered at the bar for a Scotch as the credits rolled. After three hours and twenty minutes of note-taking, I decided to follow suit.
Musical contrasts from Fabien Gabel and the Gürzenich Orchester Köln
In Cologne, Stravinsky's neoclassicism comes up against the echt-romanticism of Schreker and Korngold, ending in a draw.
Loss and foreboding from Pappano and the LSO
In these difficult times a reduced audience witnessed a concert of music that didn’t exactly offer much solace, but which possessed a powerful sense of loss and foreboding that seemed entirely timely.
A triple bill makes musical explosives in Zurich
From the podium, Venezuelan conductor Rafael Payare’s fine direction and unmitigated athleticism were part and parcel of the excitement.