Live, Video: Find classical music concert, opera, ballet and dance reviews | Giorgio Berrugi

The punishing role of Medea is forever associated with Maria Callas. To celebrate the diva’s centenary, Greek National Opera presents a new production by Sir David McVicar, starring Italian soprano Anna Pirozzi.

Contrasting sensations at the Liceu, where the audience punished a production of La bohème with boos and gave rapturous applause to a cast that performed at half throttle.

Omer Meir Wellber conducts a spirited account of Verdi's early opera, semi-staged and live-streamed from the Teatro Massimo.

The Temple of Opera has opened its doors to operetta. For the first time the Teatro alla Scala is staging Johann Strauss' Die Fledermaus.

A sizeable contingent of curious musicologists and critics gathered for the Milan première. It was a gifted a performance with plenty of insights to offer.

Verdi voices that make one sit up and listen made this a memorable matinee.

Renée Fleming has decided the time is right to bow out gracefully from the operatic stage, choosing her signature role to bid the fondest of farewells to London.

After 120 years Puccini's La bohème returns where it was first produced on February 1, 1896. Ale Ollé, director fron "La Fura dels Baus" stages a modern rendition of the moving masterpiece.

Patchy vocal offering saved by superb orchestra in Verdi's Simon Boccanegra.

Sir Mark Elder conducts the Hallé in a fine account of Verdi's Requiem at the Bridgewater Hall

A very good production of Luisa Miller by the Teatro San Carlo, set in Naples itself.

A joyful atnmophere in this production, thanks to the colourful staging and godible singing cast.

Dating from 2008, the Semperoper’s current production of Rigoletto is quite intriguing. It’s set in what appears to be a swanky 21st-century Berlin apartment – industrial, sparse and effortlessly cool – and in many ways this is an interesting choice.

Puccini is one of opera’s best loved composers. With so many popular titles to his name, it is somewhat surprising how infrequently his first great success, Manon Lescaut, is performed today. What makes this even more unusual is the opera’s universal appeal.

Mit der Aufführung von Pietro Mascagnis Originalfassung hat Thomas Hengelbrock mit den Balthasar-Neumann-Ensembles und einem großartigen Solistenensemble diese Oper aus der Ecke der banalen Folkloreopern herausgeholt.

Harry Kupfers Regiearbeit aus dem Jahr 1984 überzeugt ebenso wie Rebecca Nelsen als Mimì.

 À Bastille, nouvelle reprise de Madame Butterfly dans la mise en scène historique de Robert Wilson. On adore ou on abhorre ; en tout cas, le plateau et l'orchestre font l'unanimité.