Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Cappella Amsterdam

Ein emotionaler und komplex-kontemplativer Abend mit Werken von Schnittke und Rachmaninow.

Rarement donnée en concert, l'ouvrage beethovenien a bénéficié d'une interprétation extraordinaire sous la baguette du maestro américain.

The Orchestra of the 18th Century proves the main asset of a rewarding Don Giovanni at the Amsterdam Concertgebouw. 

In the final instalment of aus LICHT, the Helicopter String Quartet lives up to the publicity hype and choirs perform marvellous feats.

Despite some fine young voices, a concert staging of The Rake's Progress proves problematic in Hamburg.

Barbara Hannigan mène à la baguette cette production de The Rake's Progress à la Philharmonie, où brillent aussi bien les chanteurs du projet Equilibrium que les instrumentistes de l'Orchestre Ludwig.

Ingo Metzmacher leads a musically formidable performance of Hans Werner Henze’s shipwreck oratorio. Romeo Castellucci’s staging engages the senses but remains emotionally distant.

Kenneth Montgomery leads the Orchestra of the 18th Century and a fine team of young soloists in a swift, finely detailed interpretation of La clemenza di Tito.

Nearly 30 years after its European première, Nixon in China returns to Amsterdam for an engrossing concert performance in which the Youth Orchestra of the Netherlands, led by Kevin John Edusei, shines.

At the Amsterdam Concertgebouw, the Orchestra of the 18th Century conducted by Kenneth Montgomery gave a lively and expressive performance of Mozart’s Nozze, that emphasized the witty charm of the piece. Soloist included Henk Neven’s aristocratic Count and Ilse Eerens’ delightful Susanna.

MaNOj Kamps honours Claude Vivier in carte blanche concert Cappella Amsterdam. 

His passing last August was no surprise. Anyone who had witnessed Frans Brüggen conduct in recent years knew that he was far from healthy and old for his years.

Belgian conductor and baroque specialist René Jacobs demonstrates his iconoclastic approach to Mozart with an excitingly theatrical Abduction from the Seraglio at the Concertgebouw in Amsterdam.

A winning young cast discovers that all's not well that ends well in the Orchestra of the Eighteenth Century’s virtuosic Così fan tutte at the Royal Theatre Carré in Amsterdam.

On Good Friday, Cappella Amsterdam, conducted by Daniel Reuss, gave a beautifully refined rendition of Bach's St John Passion at the Muziekgebouw aan 't IJ in Amsterdam, accompanied by the Orchestra of the Eighteenth Century and the riveting Evangelist of Anders Dahlin.

For this concert Sigvards Kļava, chief conductor and artistic leader of the Latvian Radio Choir, worked as a guest conductor for the Dutch choir Capella Amsterdam. Modern and contemporary classical music play a significant, but not exclusive, role in the repertoires of both choirs.

Friedrich Nietzsche’s life was not that of an isolated contemplative but rather full of personal frustration, eventually ending in syphilitic madness. While his work has been often linked with music--most notably in his relationship with Wagner and Richard Strauss’s tone poem based on Also sprach Zarathustra--making his life into an opera may seem a dubious proposition.