Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Chor der Oper Zürich

Mit Julie Fuchs und Benjamin Bernheim stehen zwei fantastische Sänger-Darsteller auf der Bühne. Doch wo spielt die Oper eigentlich? Und warum wird der Familienkonflikt so harmlos dargestellt?

David Alden beschreitet einen Mittelweg zwischen Ausstattungsoper und Regietheater, Enrique Mazzola baut seinen historischen Ansatz aus, und Inga Kalna vermag die Erwartungen nicht ganz zu erfüllen.

Gaetano Donizettis Oper muss ohne Chor auskommen und auch das Orchester ist nicht so ganz live dabei. Ein Experiment, das dennoch erstaunlich gut klingt.

The French soprano confirms her status as the best current performer of Léo Delibes masterpiece in a concert with a solid supporting cast.

The Opernhaus Zürich presents yet another Cenerentola with Cecilia Bartoli in the title role, surrounded by a great cast, with the support of the period orchestra La Scintilla, under Gianluca Capuano's knowledgeable baton.

The Opernhaus Zürich revives a successful production by Barrie Kosky with a great cast under Gianandrea Noseda's baton.

The Opernhaus Zurich revives Jan Philipp Gloger’s production, for a performance with mixed results: a solid cast of singers under Christoph König’s heavy baton.

The Opernhaus Zurich revives Andreas Homoki’s 2019 production, under the baton of Verdi specialist Donato Renzetti.

The Opernhaus Zürich revives Sven-Eric Bechtolf's 2011 production of Verdi’s last masterpiece with a solid supporting cast. 

The Opernhaus Zürich revives Tatjana Gürbaca's underwhelming production of Gaetano Donizetti’s masterpiece but with two absolute stars in the main roles.

The Opernhaus Zürich revives Tatjana Gürbaca’s uninspiring production of Verdi’s masterpiece, with a solid cast under the baton of Leonardo Sini.

Opernhaus Zürich presents a Salzburg Festival production of Rossini’s first masterpiece, with a stellar cast and an orchestra on original instruments, under the baton of Gianluca Capuano.

The Opernhaus presents Jetske Mijnssen's new production of Poulenc’s masterpiece, under the baton of Tito Ceccherini. 

Tenor Marcelo Álvarez and baritone George Petean both pull double duty in this classic verismo bill, revived effectively in Grischa Asagaroff's staging.

Andreas Homoki’s production suffers from last season's Covid restrictions, resulting in an alienating, aloof performance, but under the energetic baton of Marco Armiliato, it still proves a very successful musical evening.

A great cast in Zurich, under the inspired baton of Enrique Mazzola, although David Alden's new production does not completely convince.

The Opernhaus Zürich revives Robert Carsen’s 1990 production, with a strong cast led by Sonya Yoncheva and Joseph Calleja.

Gürbaca’s production is a wacky new take on a Donizetti classic, one that will not perhaps be to all tastes. 

The Zurich Opernhaus tackles the pandemic with an innovative strategy: instead of reducing the size of orchestra and chorus (as many other European opera houses) it removes them from the theatre altogether. 

In its revival here in Zurich, the soloists and choir of Beethoven's Fidelio give stellar vocal performances. But having done away with any real set, the opera was not without its shortcomings.

Nothing on New Year’s Eve could have been more festive than the spirited production of Rossini’s La Cenerentola that Zurich Opera staged with Cecelia Bartoli in the lead role.

A production which has Robert Wilson's signature all over it, but feels like a wagon in front of the horse.