Live, Video: Kritiken zu klassischen Konzerten, Opern, Ballett und Tanz finden | Alan Gilbert

Löftet verdient mit dieser Botschaft, seinen bezaubernden Arien und großartig mitreißender Musik ein internationales Publikum.

Alan Gilbert und das Königliche Philharmonische Orchester in einer schwelgerischen Wiedergabe von Mahlers populärer „Wunderhorn”-Symphonie.

So schön das Orchester im Walzertakt schwingt, so lustlos und unschön sind Beschallung und Inszenierung.

Alan Gilbert und das NDR Elbphilharmonieorchester bringen ein wenig norddeutsche Heimat nach München.

Der österreichische Klarinettist Wenzel Fuchs besticht bei Mozarts Klarinettenkonzert mit seinem samtweichen Ton.

Die Münchner Philharmoniker überzeugen mit Alan Gilbert und Lisa Batiashvili in der Philharmonie im Gasteig mit einem Programm mit Werken von Sibelius und Elgar.

Die Hamburger Elbphilharmonie beheimatet die deutsche Erstaufführung des Cellokonzerts von Esa-Pekka Salonen.

Es funktionierte nicht restlos alles in Gilberts Neunter von Beethoven, doch das grandiose Finale machte alles wieder wett.

Beim Musikfest Berlin gibt das Leipziger Gewandhausorchester unter Alan Gilbert geben eine zufriedenstellende Interpretation von Mahlers titanischer Dritter Symphonie mit einem denkwürdigen Solo von Gerhild Romberger.

Alan Gilbert turns the usual concert format on its head, ending his program with Dvořák’s Carnival Overture to follow a trio of works new to the orchestra. 

Yo-Yo Ma's beatific serenity speaks volumes about his approach to life and music as he gives a performance in Stockholm's Konserthuset ahead of receiving the Birgit Nilsson Prize later in the week.

Opening the new season, Alan Gilbert and the NDR Elbphilharmonie Orchester send out a clear message in Mahler's Second Symphony, both lyrically shaped and dramatically inflected.

A nine-day celebration that could be also seen as a mini relaunch for the controversial building 

Appropriately for a Russian-themed programme, two works in a minor key, one by Prokofiev and the other by Tchaikovsky, bring out the best in Alan Gilbert and the NDR Elbphilharmonie Orchester.

The Roussel Bacchus et Ariane was the standout performance in a trio of French orchestral works presented by Alan Gilbert and the Royal Stockholm Philharmonic Orchestra. 

Frank Peter Zimmermann dazzles in an angelic tribute, while Alan Gilbert and the NDR Elbphilharmonie Orchester emphasise clarity at the expense of warmth.

La temporada Palau 100 se abre con un grandioso concierto a cargo de la NDR Elbphilharmonie que incluía la Séptima sinfonía de Bruckner y el Segundo concierto de violín de Bartók a cargo de Leonidas Kavakos.

Augustin Hadelich is an authoritative interpreter in Bartók's Second Violin Concerto, while Alan Gilbert and the NDR Elbphilharmonie Orchester never quite succeed in scaling the heights of Bruckner 7.

Under Alan Gilbert’s baton, Kirill Gerstein presented the very recent piano concerto of Thomas Adès on an otherwise conservative program of Bach and Brahms.

The wealth of visual images displayed by director Graham Vick goes with the extraordinary richness of Korngold's music.

À l'occasion d'un week-end consacré à l'univers musical de Stanley Kubrick, l'Orchestre Philharmonique et le Chœur de Radio France, sous la direction d'Alan Gilbert, proposaient un concert autour des compositeurs qui ont inspiré le cinéaste.

This titanic performance of Busoni’s 70-minute concerto was riveting, but exhausting to hear. It was preceded by a sparkling reading of Haydn’s “Military” Symphony.

Orchestra and conductor seem equally at home in Anna Thorvaldsdottir's galactic soundscapes and Richard Strauss' Symphonia Domestica. 

Malin Byström convinces as the Feldmarschallin with Adrian Angelico as a strong Octavian, under the baton of Alan Gilbert.

How can you do musical justice to the vast idea of creation? Alan Gilbert and the NDR Elbphilharmonie Orchester attempt to square the circle in Mahler's epic Third Symphony.

A rousing Dvořák Symphony no. 8 and that composer’s The Water Sprite filled out a highly satisfying performance.

Vision pénétrante, lucide d'Alan Gilbert dirigeant l'Orchestre de Paris et intelligence sonore rare chez Marc-André Hamelin. Au programme : la Symphonie n°4 de Schumann, le Concerto pour la main gauche de Ravel, et Amériques de Varèse.

Alan Gilbert reaches a pinnacle at the end of his tenure at the New York Philarmonic.

The origins of chamber music lie in a wish for music that could fit within a small room. On display at the New York Philharmonic last Friday were recent contributions that wished for the opposite.

Alan Gilbert and the New York Philharmonic somewhat overpower the hall for the music of John Adams, Esa-Pekka Salonen's concerto fascinates on a first hearing.

Absolute Jest sounds like perfect fare for an April Fool's Day concert. John Adams quotes Beethoven in many guises in his jolly work for string quartet and orchestra. 

Glimpses of fire amid refined elegance at the Barbican.

Maestro Alan Gilbert and the New York Philharmonic gave the New York première of Esa-Pekka Salonen's Cello Concerto with soloist Yo-Yo Ma.

The New York Philharmonic brought two works to the stage at David Geffen Hall last week; their extremely polished rendition of Lera Auerbach's violin concerto contrasted starkly with their under-rehearsed Mahler.

The New York Philharmonic, Alan Gilbert and Styephen Hough offer conventional interpretations of two 19th century warhorses.

The New York Phil's music director drives his Tchaikovsky hard but brings taut control to 20th-century repertoire, with Frank Peter Zimmermann oustanding in Bartók. 

Lang Lang played Beethoven with the New York Philharmonic with Alan Gilbert in a program that also included  Bartók and Ligeti.

A near flawless performance by the New York Philharmonic Orchestra capturing the soul of Brahms and Schumann. A fitting tribute on Brahms' birthday.

Before the NY Philharmonic even arrived in San Francisco, skeptics were complaining about the 'hackneyed" repertoire they were bringing on tour. But there was nothing commonplace about their interpretations, power, technical skills or performances. 

Alan Gilbert conducts Sibelius and Mahler at the helm of the New York Philharmonic. 

Sibelius and Nielsen still in very good hands at the LSO, but whence comes such a gift as that of Daniil Trifonov?

What’s next for the outgoing Music Director of the New York Philharmonic? It’s unclear. But this program reflected both his legacy and the gifts he will carry down the road.

Stephen Hough made light of the technical challenges of Dvořák's Piano Concerto; Carl Nielsen’s “Inextinguishable” symphony was an electrifying second half.

Carnegie Hall opened its 125th anniversary season with the help of one of the world’s greatest living composers, one of the world’s greatest performers, and one of the world’s greatest orchestras.

Alan Gilbert leads a troublesome Beethoven and a gorgeous Brahms. 

First seen at the innovative, fearless Aix-en-Provence festival three summers ago, George Benjamin’s riveting, grisly Written on Skin has arrived in New York. 

Academy Award-winning actor Marion Cotillard's portrayal of Honegger's Joan of Arc was curious, exultant, yet unflinching. 

Programme de musiques de danse interprété par le New York Philharmonic : Stravinsky, Debussy et Bartók pour un dimanche après-midi parfait ! 

Doug Fitch masterminds a splendidly inventive multimedia rendering of Petrushka, ably supported by Alan Gilbert and the NY Phil.