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Performer: Olga Peretyatko

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BucharestOlga Peretyatko / Markus Vlad Budoiu

Artexim - George Enescu International Competition and Festival
Gounod, Santoro, Pimenta, de Falla, Bizet, Puccini, Tosti, Mozart, Schumann, Gershwin, Brahms, Schubert, Bohm, Erwin, Stolz, Benatzky, Sorozábal, Grever, Lehár, Verdi
Olga Peretyatko; Markus Vlad Budoiu; Matthias Samuil; Horea Haplea

ZurichIl turco in Italia

Rossini: Il turco in Italia
Daniele Squeo; Jan Philipp Gloger; Zurich Opera; Ben Baur; Karin Jud; Martin Gebhardt; Philharmonia Zürich

BrusselsOlga Peretyatko: Slavic Songs

Rachmaninov, Tchaikovsky, Rimsky-Korsakov
Olga Peretyatko; Matthias Samuil

PesaroAdelaide di BorgognaNew production

Rossini: Adelaide di Borgogna
Francesco Lanzillotta; Arnaud Bernard; Rossini Opera Festival; Alessandro Camera; Maria Carla Ricotti; Fiammetta Baldiserri; Orchestra Sinfonica Nazionale della Rai

ParisOrchestre de Paris / Klaus Mäkelä / Bertrand Chamayou

Stravinsky, Prokofiev, Rachmaninov
Orchestre de Paris; Klaus Mäkelä; Chœur de l'Orchestre de Paris; Bertrand Chamayou; Olga Peretyatko; Pavel Petrov

BerlinIdomeneo, re di Creta

Mozart: Idomeneo, re di Creta
Pierre Dumoussaud; Sir David McVicar; Staatsoper Berlin; Vicki Mortimer; Gabrielle Dalton; Paule Constable; Staatskapelle Berlin
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BerlinKirill Petrenko conducts Tchaikovsky’s “Mazeppa”

Berliner Philharmoniker
Tchaikovsky: Mazeppa
Kirill Petrenko; Berliner Philharmoniker; Rundfunkchor Berlin; Olga Peretyatko; Oksana Volkova
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Kozłowski's long lost Requiem arrives in Singapore

Polish composer and Mozart contemporary Józef Kozłowski’s Requiem has long been abandoned, but its Asian premiere gives it a deserved new lease of life.
****1
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Don Pasquale falls flat in Michieletto’s cruel comedy

Sir Bryn Terfel relishes every nuance of the text, but Damiano Michieletto's reading of Donizetti's comedy is no laughing matter. 
**111
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Wim Wenders successful dive into opera

Internationally acclaimed film director Wim Wenders and Daniel Barenboim give their debut with a rarely played opera by Georges Bizet.
****1
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Met hits the jackpot with revival of its Vegas Rigoletto

The gambling tables and neon lights of Las Vegas might not be the images which immediately enter your head when you think of Verdi’s Rigoletto, but bold art is often created and progressed by the pushing of boundaries and by challenging audiences to reimagine the familiar.
****1
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A disconcerting Entführung in Zurich

In David Hermann's new production, confusion reigns, but the performance is saved by the singing. 
***11
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The Met overindulges in a decadent Rigoletto

Does it really matter where an opera is set? These days, this question seems to trail Rigoletto
***11
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