Live EventsSee more...
BucharestOlga Peretyatko / Markus Vlad Budoiu
Gounod, Santoro, Pimenta, de Falla, Bizet, Puccini, Tosti, Mozart, Schumann, Gershwin, Brahms, Schubert, Bohm, Erwin, Stolz, Benatzky, Sorozábal, Grever, Lehár, Verdi
Olga Peretyatko; Markus Vlad Budoiu; Matthias Samuil; Horea Haplea
ZurichIl turco in Italia
Rossini: Il turco in Italia
Daniele Squeo; Jan Philipp Gloger; Zurich Opera; Ben Baur; Karin Jud; Martin Gebhardt; Philharmonia Zürich
BrusselsOlga Peretyatko: Slavic Songs
Rachmaninov, Tchaikovsky, Rimsky-Korsakov
Olga Peretyatko; Matthias Samuil
PesaroAdelaide di BorgognaNew production
Rossini: Adelaide di Borgogna
Francesco Lanzillotta; Arnaud Bernard; Rossini Opera Festival; Alessandro Camera; Maria Carla Ricotti; Fiammetta Baldiserri; Orchestra Sinfonica Nazionale della Rai
ParisOrchestre de Paris / Klaus Mäkelä / Bertrand Chamayou
Stravinsky, Prokofiev, Rachmaninov
Orchestre de Paris; Klaus Mäkelä; Chœur de l'Orchestre de Paris; Bertrand Chamayou; Olga Peretyatko; Pavel Petrov
BerlinIdomeneo, re di Creta
Mozart: Idomeneo, re di Creta
Pierre Dumoussaud; Sir David McVicar; Staatsoper Berlin; Vicki Mortimer; Gabrielle Dalton; Paule Constable; Staatskapelle Berlin
Watch VideoSee more...
BerlinKirill Petrenko conducts Tchaikovsky’s “Mazeppa”
Tchaikovsky: Mazeppa
Kirill Petrenko; Berliner Philharmoniker; Rundfunkchor Berlin; Olga Peretyatko; Oksana Volkova
Latest reviewsSee more...
Kozłowski's long lost Requiem arrives in Singapore
Polish composer and Mozart contemporary Józef Kozłowski’s Requiem has long been abandoned, but its Asian premiere gives it a deserved new lease of life.
Don Pasquale falls flat in Michieletto’s cruel comedy
Sir Bryn Terfel relishes every nuance of the text, but Damiano Michieletto's reading of Donizetti's comedy is no laughing matter.
Wim Wenders successful dive into opera
Internationally acclaimed film director Wim Wenders and Daniel Barenboim give their debut with a rarely played opera by Georges Bizet.
Met hits the jackpot with revival of its Vegas Rigoletto
The gambling tables and neon lights of Las Vegas might not be the images which immediately enter your head when you think of Verdi’s Rigoletto, but bold art is often created and progressed by the pushing of boundaries and by challenging audiences to reimagine the familiar.
A disconcerting Entführung in Zurich
In David Hermann's new production, confusion reigns, but the performance is saved by the singing.
The Met overindulges in a decadent Rigoletto
Does it really matter where an opera is set? These days, this question seems to trail Rigoletto.