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Santiago de CompostelaSonidos del este
Khachaturian, Janáček, Kodály
Real Filharmonía de Galicia; Paul Daniel; Nemanja Radulović
VigoSonidos del este
Khachaturian, Janáček, Kodály
Real Filharmonía de Galicia; Paul Daniel; Nemanja Radulović
La CoruñaReal Filharmonía de Galicia en La Coruña
Khachaturian, Janáček, Kodály
Real Filharmonía de Galicia; Paul Daniel; Nemanja Radulović
SaanenJoy & Love
Muréna, Šišić, Traditional, de Falla, Eliyahu Gamliel & Matityahu Shelem, Hristovski, Prado, He Zhan-Hao & Chen Gang, Jovanović, Carignan, Solovyov-Sedoi, Gardel, Doga, Stojaković, Bonfá, Robin
Nemanja Radulović; Double Sens
TokyoNemanja Radulović plays Tchaikovsky
Lyadov, Tchaikovsky
Tokyo Metropolitan Symphony Orchestra; Sascha Goetzel; Nemanja Radulović
TokyoNemanja Radulović plays Beethoven
Beethoven, Korngold
Tokyo Metropolitan Symphony Orchestra; Sascha Goetzel; Nemanja Radulović
Latest reviewsSee more...
Nemanja Radulović makes an impressive New York Philharmonic debut
Santtu-Matias Rouvali's second New York Phil subscription programme of the season opens with the US premiere of Anna Thorvaldsdottir's Catamorphosis.
Prom 4: Karabits and the BSO journey beyond the moon in a fast machine
Exhilarating Adams and insightful The Planets from the BSO and Karabits, with a Proms debut from Nemanja Radulović in Barber with great presence and warmth.
Radulović brings silky sensitivity to Khachaturian
A trio of Soviet composers provided thrills and spills in Liverpool, under popular Chief Conductor Vasily Petrenko.
Radulović's Barber the highlight at NFM Wrocław
Eiji Oue doesn't quite convince in Bernstein and Copland, but Samuel Barber's Violin Concerto proves a winner.
Russian flames set The Anvil alight
An animated performance of Tchaikovsky’s Violin Concerto from Radulović along with a gripping account of Rachmaninov's First Symphony makes for a splendid night of Russian fire with the BSO.
Luminous Lutosławski from Karabits and the BSO
Karabits leads an adventurous programme at the BSO’s Poole home, with flamboyant violinist Nemanja Radulović on surprisingly refined form in the Barber Concerto.