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Performer: Michael Barenboim

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AndermattSwiss Dreams

Vivaldi, Suter, Mendelssohn, Strong
Swiss Orchestra; Lena-Lisa Wüstendörfer; Michael Barenboim

Evian les BainsTrio Zukerman

Les Rencontres Musicales d'Evian
Beethoven, Saint-Saëns, Brahms
Zukerman Trio; Michael Barenboim

LondonWest-Eastern Divan Ensemble & Michael Barenboim

Carter, Mendelssohn, Beethoven
West-Eastern Divan Ensemble; Michael Barenboim

BerlinBarenboim, Widmann & Barenboim

Boulez, Manoury
Daniel Barenboim; Michael Barenboim; Jörg Widmann

ParisDialogue / Daniel & Michael Barenboim / Jörg Widmann / Gilbert Nouno

Boulez, Manoury
Daniel Barenboim; Michael Barenboim; Jörg Widmann; Gilbert Nouno

ViennaDaniel & Michael Barenboim

Boulez, Andre, Manoury
Daniel Barenboim; Michael Barenboim; Jörg Widmann; Experimentalstudio des SWR
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BerlinMichael Barenboim’s and Vasily Petrenko’s debuts with the Berliner Philharmoniker

Berliner Philharmoniker
Schubert, Schoenberg, Ravel
Berliner Philharmoniker; Vasily Petrenko; Michael Barenboim
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West-Eastern Divan Orchestra shows its stars at the Salzburg Festival

Daniel Barenboim offered an unusually Germanic take on César Franck, while section leaders Michael Barenboim and Kian Soltani pulled double duty as soloists in Brahms' Double Concerto.
****1
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A Festival of New Music closes with an Empty Space

After four evenings and ten world premieres, Pierre Boulez Saal's A Festival of New Music comes to a haunting end.
****1
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A memorable program at the Pierre Boulez Saal

The third concert of A Festival of New Music also suggests the conflicts and split personalities which may come from extended isolation. 
****1
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Contemporary with a touch of intimacy at the Pierre Boulez Saal

Daniel Barenboim, Emmanuel Pahud and select musicians continue their brief odyssey into new music with three striking and stimulating world premieres and a welcome touch of Boulez.
****1
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Thomas Adés' new ballet score debuts in LA... without dancers

Inferno, after Dante's Divine Comedy, is a 46-minute ballet score rich in astounding, ingenious, sumptuous effects with a particular genius for unlikely combinations of instruments, and only a few obvious Lisztian references.
*****
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A performance with two very different halves

His gestures might not be the most elegant, but Vladimir Askenazy has a deep understanding of the music he choses to conduct.
***11
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