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BrusselsMessiaen: Turangalîla
Messiaen: Turangalîla-Symphonie
Brussels Philharmonic; Kazushi Ono; Jan Michiels; Cynthia Millar
BrugesMessiaen: Turangalîla
Messiaen: Turangalîla-Symphonie
Brussels Philharmonic; Kazushi Ono; Jan Michiels; Cynthia Millar
AntwerpMessiaen: Turangalîla
Messiaen: Turangalîla-Symphonie
Brussels Philharmonic; Kazushi Ono; Jan Michiels; Cynthia Millar
ParisCiné-concert : Metropolis / Orchestre de Paris
Matalon: Musique pour le film Metropolis (version orchestrale)
Orchestre de Paris; Kazushi Ono; Thomas Goepfer
GhentMendelssohn, Strauss
Mendelssohn, Strauss R.
Brussels Philharmonic; Kazushi Ono; Gautier Capuçon
BrusselsMendelssohn, Strauss
Mendelssohn, Strauss R.
Brussels Philharmonic; Kazushi Ono; Gautier Capuçon
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TokyoBoris Godunov
Mussorgsky: Boris Godunov
Kazushi Ono; Mariusz Treliński; New National Theatre; Boris Kudlička; Wojciech Dziedzic; Marc Heinz; Tokyo Metropolitan Symphony Orchestra
BarcelonaLa imaginación: Mozart y Beethoven
Mozart, Beethoven
Orquestra Simfònica de Barcelona i Nacional de Catalunya; Kazushi Ono; Maria Florea; Sara Ferrández
Latest reviewsSee more...
A stunning Carmen by Àlex Ollé opens at New National Theatre
New National Opera sucessfully opened a world premiere production of Georges Bizet’s Carmen, directed by Spanish director Àlex Ollé, a production inspired by Amy Winehouse, a diva of today.
Czech lyricism and fervour from the LSO and Kazushi Ono
Kazushi Ono and LSO forces go with the flow in Janáček’s Glagolitic Mass after a relatively uninspiring first half.
Ono/OBC: Compelling Respighi and Bartók, disappointing Brahms
It's a game of two halves in Barcelona from Kazushi Ono and the Orquestra Simfònica de Barcelona i Nacional de Catalunya.
Turandot in Tokyo: A bold reimagining of the ending
Alex Ollé focuses in the princess's trauma to provide a back story for Puccini’s problematic last opera; Eri Nakamura captivates the New National Theatre audience.
Occult, mystical, extreme: Prokofiev’s Fiery Angel in Aix
With a stunningly inventive and modern-sounding score, strong acting performances and a staging full of theatrical illusion and coherent in spite of general weirdness, Aix's Fiery Angel impresses.
Removing barriers, provoking questions: Ono, Bavouzet and the CBSO
Dvořák is diminished in the wake of Bartók’s experimental zeal and Strauss’ fearless convolutions.