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Performer: Jan Vogler

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DresdenJan Vogler / Philharmonisches Staatsorchester Hamburg

Dresdner Musikfestspiele
Beethoven, Shepherd
Philharmonisches Staatsorchester Hamburg; Kent Nagano; Jan Vogler; Hamburger Alsterspatzen; The Young ClassX; Dresdner Kreuzchor

DresdenJan Vogler / Filarmonica Arturo Toscanini

Dresdner Musikfestspiele
Verdi, Shostakovich, Wagner, Tchaikovsky
Filarmonica Arturo Toscanini; Omer Meir Wellber; Jan Vogler

HamburgMusikfest Hamburg: Philharmonisches Staatsorchester Hamburg / Kent Nagano

Beethoven, Shepherd
Philharmonisches Staatsorchester Hamburg; Kent Nagano; Hamburger Alsterspatzen; Jan Vogler

Boulogne-BillancourtJupiter / Jan Vogler / Orchestre du Festival de Dresde / Ivor Bolton

Haydn, Mozart
Dresden Festival Orchestra; Ivor Bolton; Jan Vogler
Latest reviewsSee more...

HK Phil thrills in Shostakovich's naughty Ninth

Jaap van Zweden and the Hong Kong Phil excel in Shostakovich's Ninth Symphony and give an atmospheric reading of the Sea Interludes by Britten, but cellist Jan Vogler struggles to settle in Elgar’s Cello Concerto. 
***11
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Youthful Debussy and mature Schubert at the Mortizburg Festival

Intrepid chamber musicians braved wild weather to deliver a stirring performance of Schubert's String Quintet in C major, alongside early works from Prokofiev and Debussy.
***11
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Back to Bogotá: the Dresdner Festspielorchester

The "original instrument" Dresden Festival Orchestra transformed conventional notions of what Brahms, Schumann, and Schubert are all about.
*****
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RSNO gives Wolfgang Rihm première

Rihm is probably Germany’s most famous living composer, and he has a reputation for cerebral intellectualism in his music. That’s admirable, but it doesn’t make him approachable. 
****1
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The End of Time and a UK première

Prophecies and apocalyptic visions were on the programme as part of the London Philharmonic's Be Moved season.
****1
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Anxious dreams from Bloch, Brahms, Rouse and the New York Philharmonic

Dreams and anxieties, religious and otherwise, were the dominant themes at Thursday night’s New York Philharmonic performance. The concert program worked backwards in time, starting with Phantasmata by composer-in-residence Christopher Rouse (completed in 1985), followed by Ernest Bloch’s Schelomo (1916), and finishing with Brahms’ Symphony no. 1 (published in 1877).
*****
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