In February 2022 Bachtrack reviewed 123 events in 45 cities:
Here are ten reviews in English you shouldn't miss, according to our Editor:
Die Walküre in Melbourne
Melbourne Opera has done a magnificent job with this Die Walküre production. Everything about it has succeeded. And maybe in Zara Barrett they have discovered a new Brünnhilde.
“Suzanne Chaundy's production of this saga for Melbourne Opera is outstanding”
Fidelio in New York City
Heartbeat’s Fidelio is a dramatic reworking in every sense of the term. It’s bold and unflinching, borrowing from Beethoven to tell tales too horrible to tell.
“the Prisoner’s Chorus... sung by inmate choirs from six penal institutions across the country”
Peter Grimes in Vienna
In much anticipated role (Kaufmann) and stage (Davidsen) debuts, this revival of Peter Grimes at the Staatsoper was much anticipated, despite a production that should be put out to sea without a paddle.
“Kaufmann's... fisherman is a broken figure, driven mad by grief”
Ellen Reid premiere in Seattle
Ellen Reid’s evocation of life under Covid restrictions captures its essence: boredom, frustration and seemingly endless continuance.
“excitable percussion, or slithery glissandi dropped in, like short tempers exploding or meltdowns”
Bajazet in London
In its Royal Opera House debut, Irish National Opera's high-energy Bajazet provides a great evening for Baroque fans and sceptics alike.
“an electrifying production by Adele Thomas”
Tchaikovsky, Enescu and Hailstork in Buffalo
A well-known rhapsody and symphony bracket Adolphus Hailstork's 1992 Piano Concerto in an all-around convincing performance featuring exciting soloist Stewart Goodyear.
“The Scherzo... was the most tightly controlled performance of this movement I’ve ever heard”
The Makropulos Case in Berlin
Director Claus Guth's new production for the Staatsoper Berlin is a bit of a mixed bag but the evening succeeds more on its musical merits, with a splendid ensemble of singers and orchestra conducted by Sir Simon Rattle.
“Marlis Petersen... in her element as the self-centred, cold, calculating yet vulnerable diva”
Gonzalo Garcia's farewell in New York City
Gonzalo Garcia bows out from NYCB with a ridiculously ambitious program of Robbins, Peck and Balanchine.
“it’s rare to have dancers leave the stage before the stage leaves them”
Jenůfa in Vienna
Director Lotte De Beer's thoroughly realised, aesthetically rich and beautifully executed production of Janáček's masterpiece is anchored by strong performances from Nina Stemme and Svetlana Aksenova.
“Svetlana Aksenova is devastating in the title role, presenting a woman who is imprisoned”
Pique Dame in Milan
Valery Gergiev finally turns up to conduct an electrifying evening, crowned by Asmik Grigorian's full throttle performance as Liza.
“the orchestra vodka drenched, with grumbling low woodwinds matching the conductor’s growling”
Click here to read all of our reviews in English, French, German and Spanish.
