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Performer: Elena Urioste

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LondonElena Urioste, Tom Poster

Wigmore Hall
Fauré, Hahn
Elena Urioste; Tom Poster

LondonKaleidoscope Chamber Collective

Wigmore Hall
Mendelssohn, Mozart, Coleridge-Taylor, Dvořák
Kaleidoscope Chamber Collective; Elena Urioste; Rosalind Ventris; Laura van der Heijden

LondonProm 7: Beethoven’s Fifth Symphony

BBC Proms
Rachmaninov, Coleridge-Taylor, Beethoven
BBC National Orchestra of Wales; Tadaaki Otaka; Elena Urioste

LondonKaleidoscope Chamber Collective

Wigmore Hall
Beethoven, Goldmark, Zemlinsky, Schubert
Kaleidoscope Chamber Collective; Alec Frank-Gemmill; Ben Goldscheider; Elena Urioste

LondonBBC Radio 3 Lunchtime Concert: Essentially Strauss

Le Beau, Kreisler, Strauss R.
Elena Urioste; Tom Poster
Latest reviewsSee more...

Smyth at the double: a rare concerto for Kazuki Yamada’s Proms debut

The City of Birmingham Symphony Orchestra's Chief Conductor Designate makes a strong impression in purposeful Rachmaninov after Elena Urioste and Ben Goldscheider wave the flag for Dame Ethel Smyth. 
****1
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Light at the end of the tunnel from Elena Urioste and Aurora

Imaginative programming from Aurora Orchestra, including striking miniatures from Musgrave and Meredith, luxurious Ravel and pared back Vaughan Williams, with joyous Mendelssohn to finish.
****1
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Aspects of love from the Kaleidoscope Chamber Collective

A wide-ranging programme from the shape-shifting ensemble at Wigmore Hall explores love in its many guises. 
****1
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Arcadia in Albion: BBC Symphony plays Vaughan Williams

Urioste’s marvellous playing wedded gleaming tone to sure technique in The Lark Ascending.
****1
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Dreamscapes in New York

With classical works by jazz artists Iverson, Lehman and Assad, American Composers Orchestra wound up its fortieth anniversary season, and looked ahead to continued adventures in diversity.
****1
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Late romanticism rises to a deafening climax in a small Cardiff hall

BBC National Orchestra of Wales's afternoon concert series brings unusual works to light, but the small auditorium can make some of the heavier late-romantic orchestration overwhelming – to the point of being overpowering.
***11
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