Sala: Elbphilharmonie, Hamburg

Three diverse works written within 15 years of each other, by Kodály, Poulenc and Prokofiev, given with panache by the NDR Elbphilharmonie Orchestra, the amazing Jussen brothers and Stanislav Kochanovsky.

Beethoven was the spiritus rector of Ticciati's COE concert at the Elbphilharmonie, with Lisa Batiashvili in commanding form for that composer's fiddle concerto.

Almost a case of bringing coals to Newcastle: two works by Brahms, played by a Swiss orchestra and with an Austrian soloist in the composer's home town.

On paper this looked entrancing: a French conductor with Armenian roots assaying a score of oriental splendour. It was the first half, however, with Dutilleux and Debussy that satisfied more.

Everybody's current darling among international orchestras, Klaus Mäkelä, takes his Parisian band on a fantastic ride, courtesy of Berlioz, while Janine Jansen displays individualism in Sibelius.

Ohne erkrankten Pichon, aber mit seinem perfekt abgestimmten Programm und Ensemble unter bravouröser, konzertrettender Leitung Sophie Gents überwältigte auch diese Bach-Reise.

A long stellar night of supremely assured singing and playing in Wagner's Siegfried, with the Bavarian Radio Symphony Orchestra and Sir Simon Rattle on top form.

Fazıl Say's Mozart is an acquired taste, but Paavo Järvi's Bruckner is a masterclass in how to conduct this composer.