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DüsseldorfDer Kaiser von Atlantis
Ullmann: The Emperor of Atlantis (Der Kaiser von Atlantis)
Christoph Stöcker; Ilaria Lanzino; Deutsche Oper am Rhein; Sebastian Ludwig; Emine Güner; Thomas Diek
DüsseldorfSacre
Stravinsky
Jerome Robbins; Demis Volpi; Marcos Morau; Ballett am Rhein; Vitali Alekseenok; Jean Rosenthal; Ruth Sobotka; Silvia Delagneau
DüsseldorfDie tote StadtNew production
Korngold: Die tote Stadt (The Dead City)
Axel Kober; Daniel Kramer; Deutsche Oper am Rhein; Harry Ogg; Marg Horwell; Peter Mumford
DüsseldorfMadama Butterfly
Puccini: Madama Butterfly
Paolo Arrivabeni; Joan Antón Rechi; Deutsche Oper am Rhein; Alfons Flores; Mercè Paloma; Volker Weinhart; Düsseldorfer Symphoniker
DüsseldorfDeutsche Kammerphilharmonie Bremen/ Paavo Järvi
Haydn, Schumann
Deutsche Kammerphilharmonie Bremen; Paavo Järvi; Sol Gabetta
DüsseldorfHérodiadeNew production
Massenet: Hérodiade
Marc Piollet; Lorenzo Fioroni; Deutsche Oper am Rhein; Paul Zoller; Katharina Gault; Düsseldorfer Symphoniker; Chor der Deutschen Oper am Rhein
Latest reviewsSee more...
Reality wants augmenting in Daniel Kramer's Die tote Stadt
What's a director to do while we wait for technology to catch up with the complexities of the human condition?
Blackburn's futuristic Coppélia makes these robots hard to love
Bleak adaptations of ballet classics are somewhat of a ballet trend at present, with Matthew Bourne’s gothic Sleeping Beauty playing to sell out audiences over Christmas
Arresting: Aszure Barton restages Come In for Ballett am Rhein
Ballett am Rhein's reputation continues to grow under Demis Volpi with a restaging of Aszure Barton's 2006 creation for Mikhail Baryshnikov during her residency for his Hell’s Kitchen Dance.
Up close and personal with Ballett am Rhein: A Simple Piece
An intimate and revealing dance experience on film from Demis Volpi and Ballett am Rhein.
All the world's a stage: Xerxes as a comedy of backstage rivalry
A revival of Stefan Herheim's production of Handel's Xerxes in Düsseldorf makes for a rip-roaring evening of theatrical comedy.
Stars and the score shine in The Count of Luxembourg
Baritone Kay Stiefermann steals hearts at the eponymous Count of Luxembourg, in an operetta so charming that neither musical missteps nor a mixed-up staging can sink it.