Instrument: Dance/ballet Company

In a first rate performance and just as balletomanes say goodbye to Harrison Ball, we say hello to the young talent, Domenika Afanasenkov. The cycle continues.

Powerful and thoroughly absorbing living art. 

Ek’s vision of the romantic tragedy is seen through a distorted lens, sometimes fascinating, sometimes bemusing.

There’s much to love in Helgi Tomasson’s production of Romeo & Juliet, starting with Prokofiev’s sumptuous score.

Martha Graham's choreography, often inspired by Greek mythology, still has the power to shock.

Prepare to watch the post-modern version of dancing like no one’s watching.

NDT1 returns to London with an eclectic and absorbing programme of old and new.