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Mozart and 1784 is the basis for this latest OAE venture, an engaging programme that highlights the flawless technique of 18th-century keyboard specialist Kristian Bezuidenhout.

The Marmen Quartet returns to Sheffield, the site of some of the quartet’s formative experiences, in this sometimes uneven concert of Mozart, Janáček and Beethoven.

Take lesser-known pieces by Bacewicz, Mozart and Elgar, and finally one of Dvořák’s most lyrical symphonies: these were the dishes served up by Sakari Oramo, Julie Price and the BBCSO.

The Opernhaus Zurich revives a 2016 production by David Hermann, where the spoken dialogue is removed and the story completely altered. 

An almost perfect evening of keyboard works in which God and the Devil share the best tunes, in portraits of heroism, love, faith and devilish seduction.

The Opernhaus Zurich revives Jan Philipp Gloger’s production, for a performance with mixed results: a solid cast of singers under Christoph König’s heavy baton.

Amid an uncertain future for the Mostly Mozart Festival, conductor Louis Langrée led a fiery program that overflowed with rage rather than grief.