Deb joined Bachtrack in 2022 and commissions reviews and writing on ballet and dance. She was Royal Ballet School-trained and is a former principal dancer for companies including London Festival Ballet (now English National Ballet) and Bayerisches Staatsballett. She has been writing for almost 30 years – publications have included Dancing Times, DanceTabs, Dance for You and Dance Europe. She also interviews for Voices of British Ballet, an oral archive of people who have worked in the industry in the UK. In addition to her writing, since 2016 she has been facilitating programmes that support victims of domestic abuse. Deb is passionate about her two rescue dogs and daughters (not in that order), swims a mile at least five days a week and is an avid reader.
This Don Quixote reveals the extraordinary depth of talent within Australian Ballet, challenging all ranks of the company and presenting a stellar production.
Even within a line-up boasting some of the greatest international stars from across the world, it is the youngest couple, making their UK debuts, who captivate the audience.
British dancer Rebecca Haw runs an agency giving guidance to young dances auditioning for places in ballet companies. She describes the impact Brexit has had on British dancers.
Was macht das klassische Ballett so unvergänglich? Darcey Bussell, Cynthia Harvey und Aaron S. Watkin beleuchten die anhaltende Bedeutung des klassischen Tanzes.
Die Solist*innen des Tschechischen Nationalballetts erscheinen in dieser exklusiven Fotoserie, die im Prager Hotel Mozart aufgenommen wurde, als ihre Figuren aus dem Ballett Onegin.
Sir Peter Wright’s production returns to Birmingham Royal Ballet after an absence of five years, with Céline Gittens and Brandon Lawrence sharing great chemistry.
