Thursday 16 May 2024 | 19:00 |
Sunday 19 May 2024 | 14:00 |
Wednesday 22 May 2024 | 14:00 |
Saturday 25 May 2024 | 14:00 |
Wednesday 29 May 2024 | 14:00 |
Verdi, Giuseppe (1813-1901) | La traviata | Libretto by Francesco Maria Piave |
New National Theatre | ||
Francesco Lanzillotta | Conductor | |
Vincent Boussard | Director, Costume Designer | |
Vincent Lemaire | Set Designer | |
Guido Levi | Lighting Designer | |
Tokyo Philharmonic Orchestra | ||
New National Theatre Chorus | ||
Eri Nakamura | Soprano | Violetta Valéry |
Riccardo Della Sciucca | Tenor | Alfredo Germont |
Gustavo Castillo | Baritone | Giorgio Germont |
Yuki Sugiyama | Mezzo-soprano | Flora Bervoix |
Kyosuke Kanayama | Tenor | Gastone de Letorières |
Hiroyuki Narita | Baritone | Baron Douphol |
Kei Kondo | Bass-baritone | Marquis d'Obigny |
Masumi Kubota | Bass | Dr Grenvil |
La Traviata is set in the world of Parisian high society. This popular opera tells the story of the courtesan, Violetta Valéry: her loves and her sad fate. It is based on the dramatic adaptation of the romantic novel, "La Dame aux Camélias" by Alexandre Dumas fils, modeled by the author on the high-class mistress, Marie Duplessis. Giuseppe Verdi then took the story, making its heroine a contemporary woman, and writing an innovative opera in which he raised the role of the music itself to that of expressing the story's emotions. Starting with "Libiamo ne' lieti calici", which has become a well-known, staple tune of gala concerts, the work features numerous other famous songs, such as Violetta's most technically demanding aria, "Ah, fors'è lui-sempre libera", in the prelude foretelling tragedy, and Germont's "Di Provenza il mar, il suol".