Mazzoli, Missy (n. 1980) | The Listeners |
Norwegian National Opera | ||
Ilan Volkov | Direction | |
Lileana Blain-Cruz | Mise en scène | |
Adam Rigg | Décors | |
Kaye Voyce | Costumes | |
Yi-Huan Zhao | Lumières | |
Norwegian National Opera Orchestra | ||
Norwegian National Opera Chorus | ||
Hannah Wasileski | Vidéaste | |
Cori Ellison | Dramaturgie | |
Daniel Neumann | Son | |
Nicole Heaston | Soprano | Claire Devon |
Håvard Stensvold | Baryton | Paul Devon |
Frøy Hovland Holtbakk | Soprano | Ashley Devon |
Eirik Grøtvedt | Ténor | Kyle Harris |
Simon Neal | Baryton | Howard Bard |
Tone Kummervold | Mezzo-soprano | Angela Rose |
Martin Hatlo | Baryton | Thom |
Johannes Weisser | Baryton-basse | Dillon |
Line Tørmoen | Comédien | Coyote |
Cecilie Ødegården | Soprano | Sina |
Anne-Marie Andersen | Mezzo-soprano | Emily |
Ingunn Kilen | Soprano | Hortense |
Megan Gryga | Soprano | Danica |
Ørjan Bruskeland Hinna | Ténor | Vince |
Mihai Florin Simboteanu | Basse | Bram |
Mathea Kvalvåg-Andersen | Soprano | Jess |
Nora Windfeldt | Mezzo-soprano | Lee Ann |
Jeanette Goldstein | Mezzo-soprano | Mrs Moreno |
Margaret Newcomb | Soprano | Theresa Alvarez |
Raja Kelly | Chorégraphie |
Maths teacher Claire hears a mysterious low-frequency noise and the pollution is driving her crazy. The constant ‘hum’ drives her away from her family and towards others who also hear the same all-consuming sound. This support group offers compassion but what lies behind their cult-like rituals?
Missy Mazzoli and Royce Vavrek's brand new opera is a thriller about social rejection, the abuse of power and echo chambers. Based on an original story by Jordan Tannahill, The Listeners is inspired by an identified phenomenon, the ‘global hum’. Grammy-nominated Mazzoli was the first woman to be commissioned by the Metropolitan Opera and has already successfully collaborated with librettist Vavrek, with whom she wrote the opera Breaking the Waves. Co-commissioned and co-produced with Opera Philadelphia and Lyric Opera of Chicago, The Listeners is streamed from the iconic Norwegian National Opera in Oslo as part of the Ultima Contemporary Music Festival. Here is an opera for our times about our search for belonging, understanding the incomprehensible, and how charismatic leaders can exploit our longing for connection.