Artikel von Bachtrack webmaster

Starorganistin, Dirigentin und Rundfunkpersönlichkeit Anna Lapwood ist unsere Gastkuratorin und präsentiert ihre – derzeitigen – zehn Lieblingswerke für ihr Instrument.

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One of our greatest operatic basses tells us about his projects during lockdown, including the revelation of hidden non-musical talents...

Audiences are telling us now is not the time to be dark. We should listen to them.

The loss of revenue from ticket sales and touring has put most British orchestras into a parlous financial situation. The Director of the ABO discusses what has been done and what is needed.

Bachtracks Tätigkeiten werden während der Covid-19-Pandemie reduziert. Die Gründer David und Alison Karlin erklären, wie es weiter geht.

For Romantics Month, Jan Lisiecki shares his thoughts on Frédéric Chopin and what makes his piano writing so unique. 

Richard Stokes, Professor of Lieder at the Royal Academy of Music, explores Heine's ambivalent approach to romanticism.

Viscount Organs team, after much discussion, have managed to agree on their favourite organ pieces to celebrate Keyboard Month at Bachtrack.

Contemporary harpsichordist Goska Isphording on the hidden potentialities of this historic instrument.

Im Beethoven-Jahr 2020 bringt Rudolf Buchbinder den Zyklus aller fünf Klavierkonzerte zu vielen Orchestern und Städten. Hier erklärt er, warum Beethoven das Zentrum seines musikalischen Denkens darstellt.

As the Belcea Quartet launches its complete cycles of Beethoven's string quartets in Paris, London and Berlin, viola player Krzysztof Chorzelski reflects on the challenges in revisiting these great scores. 

Vor seinem Auftritt in Händel's Oper Orlando beim Barokkfest Trondheim haben wir mit dem Countertenor Max Emanuel Cenčić gesprochen.

We talk to the director about the sparkling world of operetta and how exhausting yet rewarding it is to bring this genre to the stage.

Famous violist, composer and lover of the viola d'amore Garth Knox shares his passion for this mysterious instrument, able to play Marin Marais and Olga Neuwirth, Janáček's Second Quartet and Irish folk music.

Die Jurorin des Gesangswettbewerbs Neue Stimmen gibt Einblicke, was ein Opernstar von morgen mitbringen muss.

Choral director and singer Phil Wilcox shares his insight on choral singing, directing and the importance of communicating with the audience.

For anyone considering joining a choir or who wants to improve their singing, choral director and singer Phil Wilcox shares his tips for what can make a big difference.

The American conductor explains how he fell in love with Berlioz and how he's commemorating the 150th anniversary of his death in the grandest possible way. 

Michael Spyres explores the history behind Berlioz' great tenor roles and recounts his experiences performing Faust, Benvenuto Cellini and Énée.